Jackson Pollock a Collection Survey 1934ã¢â“1954 Moma Madame Cãƒâ©zanne Metropolitan Museum of Art
Jackson Pollock Echo: Number 25, 1951 1951
- MoMA, Floor four, 405 The David Geffen Galleries
Echo: Number 25, 1951 departs radically from Pollock'due south earlier "drip" paintings. In contrast to the explosive energy and multidirectional forcefulness of Ane: Number 31, 1950, made the previous year, Echo has a lyrical economy, and, while remaining abstract, flirts with figuration. Pollock recognized this, writing in a letter of the alphabet to a friend, "I've had a period of cartoon on canvas in black—with some of my early images coming thru—call up the non-objectivists will detect them disturbing—and the kids who think it simple to splash a Pollock out."
Gallery label from "Collection 1940s—1970s", 2019
Repeat: Number 25, 1951 is a radical divergence from Pollock's earlier "drip" paintings. In contrast to the explosive energy and multidirectional strength of I: Number 31, 1950, made the previous year, Echo: Number 25, 1951 has a lyrical economy, and, though abstruse, the painting flirts with figuration. Pollock recognized this, and he wrote in a letter to a friend, "I've had a catamenia of cartoon on canvas in black—with some of my early images coming thru—think the non-objectivists will find them disturbing—and the kids who call up it simple to splash a Pollock out."
Gallery label from Abstruse Expressionist New York, October 3, 2010-April 25, 2011.
Though his "baste paintings" brought him enormous critical and financial success, rather than continuing in this vein Pollock switched course. In 1951, he began a serial of paintings that included Repeat: Number 25, 1951. He reduced his palette solely to blackness and poured the enamel pigment onto unprimed sheet with a slowness and control that resulted in compositions characterized more past effeminateness and economy than by explosive, radiating energy. Even more radically, he re-introduced hints of figuration into these works, such as the center that peers out from the upper-left corner of Repeat, or the faces and bodies that sally from his lines in the other canvases in this series. Pollock's new direction confounded many admirers and critics. Anticipating this, he wrote to a friend, "[I] recall the non-objectivists volition find them agonizing," yet his pared-downward approach introduced a new creative pathway that helped lay the ground for Minimalism.
Additional text from In The Studio: Postwar Abstract Painting online course, Coursera, 2017
- Medium
- Enamel paint on canvas
- Dimensions
- seven' 7 7/8" ten 7' 2" (233.4 x 218.4 cm)
- Credit
- Acquired through the Lillie P. Bliss Bequest (by exchange) and the Mr. and Mrs. David Rockefeller Fund. Conservation was fabricated possible past the Banking company of America Fine art Conservation Project
- Object number
- 241.1969
- Copyright
- © 2022 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
- Department
- Painting and Sculpture
We have identified these works in the post-obit photos from our exhibition history.
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Jackson Pollock
April v–Jun 4, 1967
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Jackson Pollock
Apr 5–Jun 4, 1967
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The New American Painting and Sculpture: The First Generation
Jun 18–Oct five, 1969
2 other works identified
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Jackson Pollock: Drawing into Painting
February 4–Mar 16, 1980
one other work identified
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Selections from the Permanent Drove: Painting and Sculpture
May 17, 1984–Aug 4, 1992
ii other works identified
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Selections From The Collection (1992)
Sep nine, 1992–February 21, 1993
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Selections From The Drove (1992)
Sep 9, 1992–Feb 21, 1993
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Selections from the Permanent Drove of Painting and Sculpture
Jul ane, 1993
3 other works identified
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Jackson Pollock
Oct 28, 1998–Feb 2, 1999
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Jackson Pollock
October 28, 1998–February ii, 1999
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Painting &
Sculpture II Nov 20, 2004–Aug v, 2015
1 other work identified
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Jackson Pollock: A Collection Survey,
1934–1954 November 22, 2015–May i, 2016
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Jackson Pollock: A Collection Survey,
1934–1954 Nov 22, 2015–May 1, 2016
4 other works identified
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Jackson Pollock: A Collection Survey,
1934–1954 Nov 22, 2015–May 1, 2016
3 other works identified
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405: Action Painting II
Through Fall 2022
1 other piece of work identified
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Source: https://www.moma.org/collection/works/79251
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